Fluid Acrylics are highly intense, permanent acrylic colours with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colours with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to GOLDEN Heavy Body Acrylics.
Unlike mixtures of heavy-bodied paints and water which produce weak colour and films by dilution, Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing, staining, and can be mixed with other GOLDEN Products. Blend with Airbrush Medium for spray application. Excellent for fabric application.
Description from www.goldenpaints.com
GOLDEN Fluid Acrylics Offer Great Versatility
GOLDEN Heavy Body Acrylics were the first line of paints produced by Golden Artist Colors, Inc. in 1980. Formulated to have an exceptionally smooth, thick texture, these paints were regarded as the best quality available; however, they did not meet the needs of all users. Many artists were thinning the Heavy Body paints with water. They wanted a paint that flowed from the brush more easily; that they could pour, puddle and drip, stain with, or use as an alternative to watercolours. Others wanted to spray apply the acrylic paints. Simply adding water or medium to the Heavy Body Acrylic paints was sufficient to meet some of these needs. However, this was not always satisfactory due to the difficulty of mixing in water and the loss of tinting strength and coverage.
Taking all these needs into account, Golden Artist Colors, Inc. started creating Fluid Colors on a custom basis for artists requiring a thinner, yet fully pigmented paint. The first development was for an artist wanting to achieve the colour saturation Morris Louis obtained from the Magna products. Eventually, the popularity of these Custom Fluids reached the point where GOLDEN was able to introduce them as a standard product line.
The main difference between GOLDEN Fluid Acrylics and Heavy Body Acrylics is their viscosity or consistency. Formulating the Fluid Acrylics is a more difficult process, as there is a tendency for highly loaded paints at a low viscosity to thicken over time. They are produced with the same pigments at the same load as the Heavy Body paints, yielding similar tinting strength. However, many artists believe they are actually stronger than the Heavy Body colours due to their greater levelling.
Although the Fluid Acrylic line is less extensive than the GOLDEN Heavy Body line, it offers a broad range of pigment options. Missing are some of the heavier metal pigments which do not remain stable in the thinner Fluid consistency. They tend to settle to the bottom of the container, packing densely enough to prevent easy re-stirring.
Properties of Fluid Acrylics
Fillers are frequently added to acrylics to give all colours in a line a uniform finish and opacity. As with GOLDEN Heavy Body Acrylics, flattening agents and opacifiers are not formulated into Fluid Acrylics. Subsequently, there are large variations in gloss within the line, as is quite evident when looking at the hand-painted colour chart. For example, Ultramarine Blue and Burnt Sienna are quite matte, while Quinacridone Gold and Vat Orange are extremely glossy. Each colour's sheen and degree of opacity depend upon the unique nature of the pigment used. Like oil paints, where lean colours tend to be very matte and fat colours tend to be quite glossy, the colours have what many artists describe and appreciate as "the organic look".
By maintaining purity, the colours retain their clearest and cleanest quality, especially when used in brilliant washes or glazes.
There are options for artists requiring a uniform sheen from the paints. These include blending the colours that are relatively glossy or matte with an offsetting matte or gloss gel or medium. If it is important to maintain a thin consistency, Fluid Matte Medium or Polymer Medium is the best choice. While these will adjust the sheen of the resulting mixture, colour strength will be reduced as well. If high colour strength is important, then the best option is to apply a matte, satin or gloss varnish once the artwork is complete. This will unify the sheen of the entire surface.
The Fluid colours retain excellent flexibility when dry, greatly diminishing the possibility of the type of cracking that can occur in natural and other synthetic polymer systems. Acrylics withstand the constant stress and strain of the canvas as it moves with changes in humidity, temperature and during shipping. However, it is important to note that acrylic will begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and will become quite hard and brittle at temperatures near and below freezing. This is especially important when considering handling a painting under such conditions. Extreme care should be exercised. It is important to allow the painting to warm sufficiently before rolling, unrolling or any other handling occurs.
Reducing GOLDEN Fluid Acrylics with water is much easier than the thicker Heavy Body Acrylics. Being closer in viscosity, the two are more physically compatible and less work is required to achieve a homogenous mixture. This results in less foam generation and a more uniform mixture. Remember, the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Also, too much water reduces the binding capability of acrylic paints and tends to flatten their sheen. Generally, when used for applications other than staining and washes, the maximum recommended dilution is a 1:1 mixture of Fluid Acrylic to water. When using the Fluids specifically for staining or watercolour techniques, there is no limit to the amount of water that can be added, as film integrity is less important. Instead, the integrity of the system results from the substrate absorbing the paint mixture.
Applications of Fluid Acrylics
As a result of their low viscosity range, the Fluids brush out smoothly and evenly. They load a brush better than thicker paints, and flow consistently, allowing for longer, more uniform strokes. Thin, highly pigmented passages may be laid down, which are not possible when using thicker paint that has been diluted.
The Fluid Colors can be mixed with all other GOLDEN paint lines, including Heavy Body Acrylics, Airbrush colours, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. This allows artists to create any consistency paint desired, whether extremely thick or thin, without colour loss. Mixing with GOLDEN Mediums and Gels is also an effective method of changing the consistency of the paint if the subsequent loss in colour strength is acceptable. For example, when a heavier stroke is required, blending in GOLDEN Soft, Regular, Heavy or Extra-Heavy Gel will work to thicken the paint to the extent required.
When highly transparent glazes are desired, the Fluids are the best colourants to use. They mix very easily into any of the gels or mediums, especially the thinner products. This reduces the chance of incorporating foam into the mixture, which reduces transparency. As the Fluids are highly pigmented, to achieve a transparent film, add less than 2% Fluid colour into a gloss Gel or Polymer Medium.
Yellows - Oranges (Golden Fluid Acrylics))
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