Please contact us to purchase

Contemporary knowledge dedicated to the making of traditional materials. Beautiful, high quality, bright paint.

 

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist's Oils. In addition, we use the same process of mixing, milling, filling, and hand labelling.

 

In order to reduce the cost of oil colours, some manufacturers use gels and wax to stiffen colours and replace traditional pigments with less expensive ones. Our approach is different. 1980 colours are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colours have been made with these three ingredients since oil painting began. With 1980 colours, artists experience colours that are true, without homogenized texture or muddy colour mixtures.

 

Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colours. The chart below lists the pigments used in our 1980 colours and their relative opacity and transparency.

 

About 1980 Oil Colors = Best Student Grade Value

True colour. Real value.

 

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into our Artist’s Oils. In addition, we use the same process of mixing, milling, filling, and hand labelling.

 

In order to reduce the cost of oil colours, some manufacturers use gels and wax to stiffen colours and replace traditional pigments with less expensive ones.

 

Our approach is different. 1980 colours are formulated with pure pigments, the finest refined linseed oil and marble dust (calcium carbonate). More affordable colours have been made with these three ingredients since oil painting began.

 

With 1980 colours, artists experience colours that are true, without homogenized texture or muddy colour mixtures. Our approach of using both traditional raw materials and processes ensures that artists experience the luscious working properties that they expect from their oil colours.

 

Blues

 

Owning an oil painting made with expensive blues was once a status symbol. Painters who were poor or didn’t live in cosmopolitan areas never used any blue at all. Jan van Eyck used lapis – but only at the request of his patrons.

 

Blue is the most commonly confused colour in terms of its hue temperature. There is a widely held misconception that all blues are cool.

 

This is not at all the case: Indanthrone, Cobalt, and Phthalo Blue, for example, are warm, and Ultramarine Blue is so warm that it’s almost purple.

Gamblin Oils - Blues

C$0.00Price
Colour
Size
  • Please contact us to purchase by calling 403-258-3500 or by simply emailing us at info@swintonsart.com. We are not yet an E-commerce business. All purchases will be in-store or shipped by call or email.

Everything Art

Location

7160 Fisher ST SE

Calgary AB Canada

T2H 0W5

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